Oil Painting of Roses in a Copper Cup

"A Fine Day for Roses"

6" x 8", Oil on Linen Mounted on Linen
One of the reasons I enjoy painting florals is because of the challenge. They're elusive, delicate and subtle. All very difficult qualities to attain in a painting. Also their edges always intrigue me. Not all the edges should be painted as if they are important. Some should fade into the background while others should be sharp and come forward. The key words here are "as if", because all edges are important. They all add to the whole picture. So while one petal may not appear as important as its neighbor, it's quality adds to the delivery of the whole painting. Hmm. Did you get that?


You can bid on this painting on Daily Paintworks by clicking here.

Impressionist Painting of Dogwood Flowers, 8" x 10", Oil on Canvas

"Dazzle"




It's really been a long while since I have found the time to indulge in a small floral. I'm a little rusty but once things got moving, the flowers flowed off my brush. I chose these Dogwoods because I enjoy the crisp white blooms that stand out against a darker background. I put in the yellow tablecloth to brighten things up a bit. With the Seqim Arts Studio Tour coming up in July, I have to start getting things framed and some new work complted. I've targeted Saturday afternoon for that task and hope to put out some new landscapes as well before the awaited date. I'm keeping to small formats for these, but framing them with wide mats and thin gold frames. They look spiffy.

As we get closer to the date, I'll start posting work that will be exclusive to the show and also links to maps and guides for the tour. The studio tour is being held during the Sequim Lavendar Festival. It's a huge event and we have all kinds of wonderful things happening from wine tasting to Jazz in the Alley scheduled for the long weekend. Anyone interested should contact the Sequim Chamber of Commerce.

Oil Painting of White Orchids and Red Tapestry, 13" x 21.5", Oil on Unstretched Canvas

"Balance"
I've been meaning to do a wall hanging for some time. A recent trip to Korea gave me the nudge I needed to get started. I chose some unstretched canvas for the job and then got busy. This painting is not yet for sale as I need to add the fabric and tassels that will complete it as a wall hanging. To see how this painting was done, to www.musensbysusan.blogspot.com and follow the links.

Oil Painting of Peonies and Lace Tablecloth with fruit, 21" x 24", Oil on Panel

"Peonies and Old English Lace"
This painting is available. Email me for pricing and information.

I've been working on this piece for some time but because of time constraints and an impossible schedule, I'm only getting around to publishing it today.

As you've no doubt noticed, I'm not publishing very much at all these days. School and teaching have me completely tied up and then with only four days left in the week, I'm only getting to paint what I please about one or two days a week. Hence, no time for daily painting. While I mourn the loss of visibility and, obviously sales, I'm truly flourishing in the academic environment. I just love attending Georgetown Atelier and teaching has become more exciting and rewarding for me as a result.

I'll be renaming this blog to something more appropriate soon and am considering withdrawing from DailyPainters.com unless I can find the time to publish more often. I hope, despite that, that you will opt to still receive my blog posts. I have truly loved doing business and sharing my work with all of you and hope to someday be able to give you more paintings on a regular basis. However, school is a long time committment for me and as I wish to open an atelier of my own some day, this is an opportunity I must take advantage of while I still can do so.
I still intend to publish to the blog smaller pieces for occasional sale and pastels as they become available. As I am required to produce for the Blue Whole Gallery in Sequim, I will still be posting a few times a month.

Lilancs and Pears Oil Painting, 8" x 10" Oil on Canvas

SOLD


Time has been pretty tight lately as I gear up for the upcoming Sequim Arts Studio Tour. I'm number 11 on this year's tour. In addition, because I'm a contributing author/editor for www.sequim-news.com which is a local online newspaper, I've been writing a series of articles on all the particpating artists - an endeavor that is very time consuming. Check them out on the "arts" page or today's article about Rudy Bauer that's on the front page! Anyway, I'm a busy girl. I stole some time to get into the studio today and here's what I came up with.
I had no difficulty in photographing this canvas. Last week I reprimed a host of them with Ganblin's Oil Primer. This great stuff fills in the interstices on the canvas and gives a nice smooth finish. That's the kind of finish I prefer and it's much easier to photograph. Hope you like it.

Watercolor of Yellow Roses, 11" x 14" image, matted to 16" x 20"

"Playing with Roses"
SOLD


Just got to playing the other day. Not really wanting to put out my full palette of oils, I reached for a jar of water and splashed some watercolor around. Then I thought, "Hmm, this could use some pastel". So I dug those out too. All in all just a dipsy doodle day. Here's what came of an hour of splash.
This painting come matted in a 16" x 20" matt and ready to frame.

"Rayon de Soleil"



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Price: $385 USD plus $15 USD s/h
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I've just finished this one. Can you tell I'm suffering from a little identity crises? I've been doing a lot of close realism in class but three years of painting in a loose impressionist manner has made a deep and lasting influence on my style. I suppose I'm searching for something between the two. These roses are a bit tighter than my usual. Hope you like them. There's so much more texture on the vase than shows here.

Tea Pot Painting, Oil on Linen, 14" x 18"

"Crystaline Tea Pot"






Hooray! I'm finally working out some of the kinks in photographing my work with my digital camera. This never used to be an issue but lately it seems I've had a horrible time getting a good shot with it. So today I spent an hour or two figiting with the manual mode and the (OMG) user's guide. It's a good thing I have a Master's Degree. I needed it. Anyway, the research helped and I have a much better image to show for my time.

Most of you will recognize this Tea Pot as it's been the subject of many paintings. I first painted it in pastel about 10 years ago. I've shown that painting here before and you can see it below as a comparison. I've never been able to capture it quite a well as I did in that pastel, but I think I've come close here. I've been working on this piece as an entry for the Oil Painters of America Western Regional Juried Show. I've taken it as far as I think I can. Now I'll just hold my breath. It's my first attempt so I don't have high expectations, but I can dream can't I? Here's the old pastel. What do you think? Did I do a good job with the oil? The light is, of course, different. In the original pastel I used warmer artificial light and in the recent oil above, I used natural north light. Additionally, the cool green against the warm red cloth and background do make the pot appear a bit brighter and more colorful although I've done my best to play that down a bit. Groan...I'm perseverating.



Lilacs in the Light, Oil on Canvas Panel, 5" x 7"

SOLD


On one of my morning walks I spotted Lilacs growing beside the Hwy. I believe this empty lot was once a front yard although the remnants of the home are no longer visible, there are lots of flowers that were once part of someone's garden.

I ran out of hardboard which is my preferred painting support and so this is on canvas panel. The pesky facets of the canvas make for difficult photographing. This is actually a lot clearer than it appears. Remember the camera is an extreme close up. Additionally, because I have to shoot in low light, the photo gets a bit of over exposure that is difficult to correct for on photoshop. All in all, however, it's not too bad a photo job. Enjoy.