Oil Painting of Reclining Nude

"Awakened"

18" x 12", Oil on Paper

I've been painting small nudes lately. I think there's an intimacy about them that you can't get with larger paintings. Also the the size allows me to do more of them and experiment with abstracted backgrounds. Abstraction is something I'm deeply interested in. Don't get me wrong - I'm very much entrenched in representational work and have no intention of changing that. But any artist who has trained, knows that a good abstract design lies at the heart of every successful painting. For a long time I've been scribbling in sketch books ideas that I have for combining these two genre's. Yes, I know there are other artists out there who have done this quite successfully. There probably isn't anything new under the sun and I'm not out to reinvent the wheel. But I have to go where my muse leads or my work will get stale. 

I think the exploration of  new horizons is a call that many artists hear but don't follow out of fear of losing sales. What I've found is that when I paint something I love, others love it too. So. Onward into the new frontier. Er, somewhat. I think you'll still see a lot of my traditional stuff here as I continue to forge new paths. As it goes with many experiments, sometimes the lab blows up.

Portrait, Oil on Linen

Portrait of Jenna

This small portrait was originally meant to be a two or three day study. The model was sitting for a three or four week pose and my intentions were to do a couple of different studies from different positions. For this reason, the lay in was done in paint rather than taking the time for a careful drawing. However the block in came out so well that my teacher suggested I follow through with it and make it a three week full portrait. I can see changes I'd like to make on it now, but over all it came out pretty well. I love working from life but the reality is that it's hard to do unless you have several people willing to help pay for the pose. Three to four weeks is a long time. I suppose as I improve, it will take less time.

Nude Figure Painting, Oil on Linen

"Morning Thoughts"

This piece was one of the last ones done at school before the summer break. A limited palette of only a few colors was used here. I was quite happy with this piece although I think I still have a long way to go.

Male Nude

This piece was done during the school year and was one of my first limited palette paintings. The model is "Hoagie", a gentleman who poses for most of the schools and ateliers in the Seattle area. While I still have a ways to go here, I felt that I was beginning to turn the corner with this piece.

Reclining Nude, Oil on Linen

"Imaginings" Although I've been turning out a lot of studies and small pieces for school, I haven't produced anything I deemed worthy of posting. I liked this piece though. It's the last monochromatic piece I produced before heading into a limited palette and warm/cool temperature studies. It was four weeks in the making and I hope you like it. I'll be making some changes later based on suggestions by my instructor and I'll post them once I do. I have 12 weeks left until the sumnmer break and I'm feeling a lot like a horse headed home to the stable. I'll be glad when the summer comes.

Charcoal and White Chalk Nude Figure, 10" x 14" on Paper

"Veronica"nfs

We had our student show at Georgetown Atelier just a week or two ago. It was a grand success and I'm proud to say that we're getting some notice now at places like Gage Academy where Juliette Aristedies teaches and some of the finest instructors and students turn out notable work. For a brand new atelier just starting up, we already have a good number of applications for the fall. I'm happy to report that I'm planning on attending three days a week instead of just two next year. I feel that the additional time spent in life drawing can only lead to improvement.

"Veronica" was one of the pieces I turned out this year. There's a lot more going on in the half tones than appears here. I've had some difficulty in picking them up with the camera.

I've had little time to paint this year with all the time spent at school and teaching my own classes. I hope with the summer break to be able to get some easel time in.

I just attended a three day workshop led by John Clarke from the American Society of Aviation Painters. It was on perspective. Coupled with some evening lectures by Michael Grimaldi on Human Anatomy for the Artist, I feel like I have some pretty good tools for my tool box. I intend to spend some time this summer brushing up on color and doing some plein aire painting. The weather here has finally started to warm a bit. Can you believe I'm still wearing a wind breaker in the mornings when I walk? And it's flannel lined! This is the last week of classes at the atelier so I'm getting in gear for the upcoming Studio Tour. Hope you can drop by for a visit during the weekend of July 16, 17 and 18th. I'll be painting in the studio and I'd love to see you!
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Nude Figure Study, 9" x 12" Oil on Panel

"Contrapasto"

I've been pretty busy getting ready for a three day studio tour. The Sequim Arts Third Annual Open Studio Tour takes place this year during the Lavender Festival on July 17th, 18th, and 19th. As most of you know, I have a new studio and so this was a good opportunity to show it off a bit. I have a bunch of studies that I did for school just before the summer break and I'll be showing some of them this week as a way of filling space. I can't actually get back to the easel until after the tour. Thanks for staying tuned.

Nude Figure Study, 9" x 12" Oil on Panel

We've been working on temperature studies in class this month. This piece, although, rough, was done on Tuesday. While not completely accurate, I'm pleased (and so was the master) with the overall temperature accuracy. Unfortunately, I got stuck at the end of the semi-circle around her and therefore had to cope with a side view. Not too interesting and static as far as poses go. I hope to make these small studies more pleasing to the eye as well as accurate as time goes by. While I've done many figure studies on this blog, only a few have been from life. The rest have come from photos which I bring up on my laptop because the lighting is more accurate that way. This is much more difficult as I'm racing against time and the hues are more elusive. Some day I hope to be able to afford models for long poses over a few days.

Draped Reclining Nude Pastel Painting, 13" x 11"

"Draped"

By now you probably think I've lost my mind. This is a pastel done of the same figure I've been working with. I've changed the colors quite a bit here and played around in layering and glazing some pastels. I had some 2 ply cotton rag sitting around the studio and although it's not generally used for pastels, I realy like it because it allows me to layer lightly and glaze one color over the next. Look at the cloth and the bottom of the painting, for instance. See all those lovely colors playing off each other? You really can't get that with a lot of the newer pastel papers on the market. They're very good for handling a lot of the medium, but they don't allow you to put light layers on like this. I'm beginning to see the merit of working in a series because it actually has been giving me quite a few ideas for other works I'd like to try.

Reclining Nude, 11" x 14", Oil on Canvas Panel

This is a favorite theme of mine by now. I've done it in a couple of sizes and have been searching out color schemes. I recently purchased about 20 frames in standard sizes and this one looks great in a plein air mahogany frame. As I have a large studio tour coming up in the summer and also hopes of gaining entry into the Belvue Arts Museum Fair or Belvue Arts Fair, I'm trying to build up inventory. This is for sale, but you'll need to e-mail me if you're seriously interested.

On another topic, I've discovered something that surprised me about myself. I started as a serious realist painter in pastel and gravitated to oils a couple of years ago as a primary medium. Even when I started this blog, I was heavily into sharp realism. I've noticed that when I look back over my work and how it has evolved over the past two years, I find that I have made a foray into the arena of impressionism or expressionism. I'm still heavily representational and still interested in realist work, but something has shifted. I'm presently attending atelier with Tenaya Sims, a remarkable realist painter who studied directly under Juliette Aristedes and also teaches at Gage in Seattle. I feel very honored and awed to be under his tutelage and have to smile at the new quandry I find myself in. Tenaya seems not to be bothered by any of this indecision or vascillation and reassures me that it's all the "same" in the bones. And this I agree with, but I'm still wondering what the next few years will bring in my development. Should be fun to find out. Stay tuned.